The face of a human foetus is formed by three rotating parts – one with the right eye, one with the left eye, and one with the mouth – meeting and growing together in the philtrum, resting on the cupid’s bow. These parts represent the Trinity.

The timeless love story of a saint and a serial killer: Joan of Arc and Gilles de Rais must navigate the mechanics of genocide in a mystical apocalypse. EGREGORE or, the Trinity of the Philtrum, expands on the uniquely disturbing obsessions Hector Meinhof first revealed in Three Nails, Four Wounds: A journey into a winter landscape where mediaeval and contemporary visions of the last days combine, and horrifying rituals are played out for the gratification of a cruel divinity and mischievous child saints...

By Hector Meinhof

Translated from Swedish by B.J. Woodstein and John Macmillan

Photographs by Jozefien Van der Aelst and Karolina Urbaniak

Drawings by Josefin Jansson

Interview conducted by Martin Bladh

EGREGORE

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Hector Meinhof made his debut as an author in 2018 with Three Nails, Four Wounds, published by Infinity Land Press. His style is beautiful and cruel, intense yet delicate, hallucinatory and prophetic - a hermeneutic eschatology that chronicles the future. His poetic prose and the doom-laden pictures bleed into one tortured, corporeal unity, like illustrated scriptures for the new dark ages.

Karolina Urbaniak is a multimedia artist and co-founder of Infinity Land Press. Urbaniak’s published works include Altered Balance − A Tribute to Coil, Death Mort Tod - A European Book of the Dead and The Torture of the 100 Pieces. Her audio-visual work − Gasper (2015), On the New Revelations of Being (2018), Sandmann (2019), The Projection of the True Body (2022), Johannes Rass - Aktion Bos Taurus (2024) − has been shown at festivals in the UK and internationally. Urbaniak’s multimedia installation based on The Fall of Jerusalem by Hermann Nitsch was exhibited at the Prinzendorf Castle in Austria in June 2025. She lives and works in London.

Martin Bladh is a Swedish-born artist of multiple mediums and co-founder of Infinity Land Press. His work is driven by the idea that cruelty is the source of creativity, the relationship between victim and executioner, and the ever-present notion of evil.
Bladh’s published work includes The Rorschach Text, The Hurtin’ Club, The Torture of the 100 Pieces, Braquemard: The Clavicle of Gilles de Rais, DES: The Theatre of Death and Michael Carter - The Practitioner. He lives and works in London.

Jozefien Van der Aelst is a film director, photographer and writer working in Berlin and Antwerp. In her hybrid worlds, often on the brink of collapse, she explores the relationship between humans and nature. Her work engages with themes of emergence, spatial narrativity, cartography, traditions, landscape, grassroots religion, catastrophe, and ecology. She holds an MA in Philosophy and a BA in Theatre, Film & Literature Studies, and later enrolled at the German Film and Television Academy (DFFB) in Berlin as a film director.

EGREGORE

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